Tuesday 20 March 2012
Wednesday 14 March 2012
Music
For the music we have decided to go with a quiet, almost childlike piano for the background. We want to convey innocence but also raise the question of how a child fits into the story because she isn't seen until the last 10 seconds of the film opening.
Certificate
We have decide to make our film a 15 because our film is a physcological thriller and contains moderate physcological horror, violence and language. An 18 seems too high because it's not exactly the 'saw' movies and it is rare to find a thriller that is an 18, however a 12 seemed too young due to the language, Our movie is about a little girl being kidknapped and at some point you will be introduced to her mother, who will no doubt be swearing. A certificate rating of 15 seems appropriate for our movie.
Monday 12 March 2012
Last bit of filming
Charlotte and I went to the park on Saturday afternoon, with Grace and our two new characters Olivia and Megan. We filmed our flashback sequence for the end of our film opening and it proved to be our hardest task so far, filming with a 2 year old. We managed to get the shots we needed but we definitely had to work for it, especially considering Megan's lack of interest in helping us and her determination to steal a little girl's scooter. Overall, a good day and so happy to be finished filming.
Thursday 1 March 2012
Blair Witch Project Research
According to the Forbes Magazine, The Blair Witch Project is considered to be the best-ever social media campaign and one of the first viral marketing efforts. The marketers behind this horror flick were able to generate big buzz for a movie with a small budget by using Web sites and message boards to stoke interest in the flick months before its release in the summer of 1999. Was the story of young documentary makers lost in the woods true or false? Fake newspaper clippings about the disappearance of the movie's main characters and police photos of their missing car were posted. Movie site Box Office Mojo reports that the film made more than $29 million during its first week of wide release. It has generated about $249 million to date worldwide.
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